EV raised the bar with breakthrough technologies, designs and products like Variable-D® microphones, the hum-bucking coil, home high-fidelity loudspeaker components, constant-directivity horns, noise-canceling microphones, pro-sound loudspeakers with Ring-Mode Decoupling (RMD™) and Manifold Technology® for concert-sound loudspeaker systems with very high output ability yet relatively compact size. Though were always looking-and listening-forward to our next achievement, this year were proud to look back over eight decades in which we consistently set new industry standards for sonic excellence and reliability in loudspeaker, microphone and audio electronics design and manufacturing. The company has enjoyed great success as a leader in innovation for decades including the first Acoustalloy Non-Metallic Diaphragm and the company's greatest commercial success, the 664-model microphone, known as the Buchanan Hammer.įrom 1927, when company founders Al Kahn and Lou Burroughs began servicing radio receivers in the basement of Century Tire and Rubber in South Bend, Indiana, EV has held its own as an audio innovator. In 1942 he released the first differential microphone and hired Al Wiggins who invented the Cardyne Cardioid Dynamic mic in 1946. Kahn was interviewed for the NAMM Oral History program he recalled his early love of electronics and the story of when football coach Knute Rockne named his company after Al had created a PA system to assist Rochne in coaching. Kahn was an industry pioneer and an early supporter of AMC and a NAMM member since the year after the company was formed in 1932! When Mr. He was posthumously awarded the Grand Cordon of the Order of the Rising Sun in 1999.Īl Kahn, the founder of Electro Voice and the inventor of several important microphone models told a great story on how his company got its name. Morita received the International Distinguished Entrepreneur Award from the University of Manitoba in 1987. In 1993, he was awarded an honorary British knighthood (KBE). Two years later, he received the prestigious Legion of Honour, and in 1991, was awarded the First Class Order of the Sacred Treasure from the Emperor of Japan. Morita was awarded the Albert Medal by the United Kingdom's Royal Society of Arts in 1982, the first Japanese to receive the honor. He was also the third Japanese chairman of theTrilateral Commission. Economic Relations Group, also known as the "Wise Men's Group". Morita was vice chairman of the Japan Business Federation (Japan Federation of Economic Organizations), and was a member of the Japan-U.S. He was succeeded by Norio Ohga, who had joined the company in the 1950s after sending Morita a letter denouncing the poor quality of the company's tape recorders. On November 25, 1994, Morita stepped down as Sony chairman after suffering a cerebral hemorrhage while playing tennis. Sony bought CBS Records Group which consisted of Columbia Records, Epic Records and other CBS labels in 1988 and Columbia Pictures Entertainment (Columbia Pictures, TriStar Pictures and others) in 1989. In 1961, Sony Corporation was the first Japanese company to be listed on the New York Stock Exchange, in the form of American depositary receipts (ADRs), which are traded over-the-counter. In 1960, the Sony Corporation of America (SONAM, currently abbreviated as SCA) was established in the United States. In 1984, Sony launched the Discman series which extended their Walkman brand to portable CD products. In 1979, the Walkman was introduced, making it on of the world's first portable music player. In 1975, it released the first Betamax home video recorder, a year before VHS format came out. In 1973, Sony received an Emmy Award for its Trinitron television-set technology. In 1960, it produced the first transistor television in the world. However, since the radio was slightly too big to fit in a shirt pocket, Morita made his employees wear shirts with slightly larger pockets to give the radio a "pocket sized" appearance. Morita was an advocate for all the products made by Sony. In 1957, it produced a pocket-sized radio (the first to be fully transistorized), and in 1958, Morita and Ibuka decided to rename their company Sony (derived from "sonus"-Latin for "sound"-and Sonny-boys the most common American expression). In 1949, the company developed magnetic recording tape and in 1950, sold the first tape recorder in Japan. Morita's family invested in Sony during the early period and was the largest shareholder. On May 7, 1946, Morita and Ibuka founded Tokyo Tsushin Kogyo Kabushiki Kaisha (Tokyo Telecommunications Engineering Corporation, the forerunner of Sony Corporation) with about 20 employees and initial capital of ¥190,000.
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Windows diagnostic data is collected from the widgets board and is determined by the diagnostic data settings you choose in the Windows Settings app. To access and manage the data associated with your Microsoft account and used to personalize the widgets board, go to the Microsoft privacy dashboard. Or, to stop the collection of this data you can sign out of the widgets board. The widgets board is a personalized experience, powered by Microsoft Start, that shows you the most relevant widgets and content based on your usage. Location estimation can come from the Windows Location service if enabled, otherwise may fall back on using the IP address of your internet connection. Note: Some apps or services that power your widgets might tailor content based on your location estimation to provide you with the most the most contextually relevant experience. Say goodbye to constantly switching between apps, devices and websites-now you can stay connected to the things you care about without losing focus on your most important tasks. Widgets help you stay on top of what’s important to you by bringing together personalized content from your favorite apps and services so you can have the latest info at a glance throughout your day. Open the widgets board from the left corner of your taskbar where you see the live weather icon. They appear on the widgets board, where you can discover, pin, unpin, arrange, resize, and customize widgets to reflect your interests. Your widgets board is optimized to show relevant widgets and personalized content based on your usage. Widgets are small cards that display dynamic content from your favorite apps and services on your Windows desktop. 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A short time later, Capa was killed by a land mine while out on a mission with the U.S. The acclaimed photographer Robert Capa came in to take his place and cover the fighting. In 1954, Howard was again on assignment in Vietnam when he was called home to Milwaukee to be with his mother, who was terminally ill. This is a photo that Howard felt was very powerful. Sadly, they probably died quickly in the war. It’s insane to think that these three young children with grenades were going off to fight the Viet Minh army. He was there on the ground for the brutal - and historic - fall of Dien Bien Phu that marked the end of the French involvement in the region. Howard was a staff photographer for LIFE in the early 1950s, when he was first assigned to cover the fighting in what was then Indochina. The conflict in Vietnam spanned almost 20 years. Tania Sochurek, widow of photographer Howard Sochurek: Howard Sochurek-The LIFE Picture Collection Young guerrillas wear grenades at their belts, preparing to fight the encroaching Viet Minh forces in the Red River Delta, northern Vietnam, 1954. Though Capa’s illustrates cruelty, my corpsman illustrates humanity, almost saintliness - a man carrying a child away from the sorrow and injuries of war. I didn’t think of Capa when I pressed the shutter, but I believe both images share an emotional impact because they involve children. Looking back today on this picture I took so long ago I can see that there is an echo here of the famous Robert Capa image of the woman whose head had been shaved at the end of WWII because she was considered to be a Nazi collaborator and had a child - whom she hugs to her chest - with a German soldier. He carried the child as if it were his own, wrapped into a poncho, because it was quite cold. The following morning, this corpsman took the child to the rear of the battle zone where he could be handed over for more medical attention. It was almost a religious experience for me to record this extraordinary event. These hard Marines suddenly became the most gentle, loving persons. They took the child into a bunker, cleaned him up and dressed his wounds under candlelight. The child was found wandering the previous night between the North Vietnamese and the American firing lines. corpsman carrying an injured child away from the battle in Hué is a rare occasion to show the true value of human kindness and the dignity of man. Here, lightly edited, are their responses. With the war once again making headlines, TIME asked a number of those individuals to select an image from the period that they found particularly significant, and to explain why that photograph moved them the most. The series features a wide range of war images, both famous and forgotten.īut few people have a better grasp on the role of photography in Vietnam than the photographers themselves, and those who lived and worked alongside them. How those photographs made history is underscored throughout the new documentary series The Vietnam War, from Ken Burns and Lynn Novick. Think of the War in Vietnam and the image in your mind is likely one that was first captured on film, and then in the public imagination. As Jon Meacham describes in this week’s issue of TIME, the pictures from that period can help illuminate the “demons” of Vietnam.Īnd, in the decades since, the most striking of those images have retained their power. On television screens and magazine pages around the world, photographs told a story of a fight that only got more confusing, more devastating, as it went on. While the Vietnam War raged - roughly two decades’ worth of bloody and world-changing years - compelling images made their way out of the combat zones. The vietnam war Pictures That Moved Them Most Soon, graphite became a notable body of his work, with Matsutani creating vast expanses of graphite on mural-size sheets of paper. Lacking room to continue experimenting with vinyl glue, in the 1970s, Matsutani simplified his practice, turning to graphite pencil and paper and exploring the many surfaces that could emerge from accumulating repetitive and successive individual strokes-a highly physical as much as artistic ritualized labor. “There I connected with Stanley William Hayter and began practicing engraving and silkscreening at his renowned printmaking studio Atelier 17,” he explains. Three years later, his now-signature vinyl work was awarded first prize at the Franco-Japanese Mainichi Art competition, which sent him off to Paris on a six-month scholarship sponsored by the French government. By breathing new life into the material-a principle central to Gutai-he transformed a commonplace substance into something organic, between painting and sculpture, impressing the group and achieving full membership by 1963. By pouring the adhesive to a canvas, letting it partially dry to form a skin, and then inflating it with air blown through a straw, fans, or hairdryers, he allowed the liquid glue to produce its own peculiar forms directly on the surface of the canvas. “It was a huge challenge for me, the collective was demanding, and Yoshihara was very strict.” Moved by purpose and curiosity, Matsutani started exploring the physical and expressive character of his chosen material, vinyl glue, in 1961, when it first became available in Japan. “I was first introduced to the movement in the early 60s when I met Sadamasa Motonaga, a Gutai member, completely by chance,” he continues. “My encounter with the Gutai Group was a pivotal moment in my formation,” explains Matsutani. “My encounter with the Gutai Group was a pivotal moment in my formation” It wills the invention of new notions of what art is, with attention to innovative materials and techniques. Its manifesto called for artists to not replicate what others had done before, stressing the importance of artistic creativity and originality. It rejected the traditional representative art approaches of the time, favoring a liberal-minded Japan, interactive environments, and a new wave of experimental art that would evade conventional categorizations. Founded in 1954 by the nearly-50-year-old visionary Jiro Yoshihara and seventeen young artists from the Osaka region, the collective was born against the conservative climate and Japanese isolation following World War II. The artist was one of the youngest members of one of the most dynamic and radical avant-garde movements of the post-war period, the Gutai Association. Matsutani’s experimental approach goes back a long way. Magic is used as a tool for combat and other things, like lighting up a room or creating a platform. Your characters are imbued with power by entering a contract with Atruum, a dragon spirit. Spiritual Content: Fishermen speak of a statue that they believe keeps them safe and the waters calm. The Empress player character wears a tube top. It is clear she is bearing cleavage, but it is not something to dwell on since they are not front and center on the screen. Sexual Content: A NPC’s pixelated breasts bounce ever so slightly in one cutscene. Language: There is some coarse language used in cutscene dialogue such as sh*t and b*stard. It is not gory by any means a big splash or two when he bites down. An example would be when an ogre is seen chowing down on one of its prisoners. There is some blood when you attack, but the more intense blood splashes are within the cutscenes. Violence: A variety of weapons such as swords, axes, and shuriken are used to deal damage to a multitude of fantastical enemies, from goblins to sea monsters and everything in between. Dragon Marked for Death feels like once such example. While they are less common now than they were generations ago, a notable few releases remind us of a time before 3D graphics was even a conceivable concept. In the early days of gaming, action and platforming went hand-in-hand with the likes of Mega Man and Metroid on the NES and SNES. Price: $49.99 (physical includes both versions with $9.99 season pass), $14.99 (digital Advanced Attackers or Frontline Fighters) Publisher: Nighthawk Interactive, Inti Creates Always make sure that your images are under a Creative Commons license and that the website you are getting it from is trustworthy. Most images are protected by copyright, misusing them can lead to legal and financial repercussion. Usually free wallpaper websites are for personal use only Whether it’s for your website, YouTube Chanel, merchandise or any other use, the answer would be no. 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Why choose a jhope collage wallpaper wallpaper? Why not! a wallpaper only purpose is for you to appreciate it, you can change it to fit your taste, your mood or even your goals. Choose through a wide variety of jhope collage wallpaper wallpaper, find the best picture available. The case goes the same for her mother when she plots her revenge Aya does not believe her mother is deranged and is willing to save her from her suffering. She is also level-headed and bright, being able to solve tricky puzzles and efficiently wield a chainsaw at a tender age.ĭespite knowing what is going on in her father's basement, she chooses to feign ignorance, as she believes her father is a good person. In fact, her love and protectiveness for her family is one of the most powerful driving forces in the game this is what primarily aided her in persevering throughout the whole journey to save her father, despite witnessing numerous things that would usually drive even an adult to insanity. In bonus clip (after the player is collected all the gems), she is seen in a glass tube, but it is unknown if it is only a doll, a real body from a human patient or if it is "Aya's clone" made by him.Īya is a compassionate and kindhearted little girl who truly loves her family, and she values even things that previously belonged to one of her relatives, such as Monika Drevis' (Aya's mother) perfume. She wears a white apron over a light blue dress, white pantyhose and black Mary Jane shoes. In the true ending, she is now an adult who has chin-length short hair, and she no longer wears a ribbon. She wears a white ribbon in her hair, as opposed to her pink one and she has an empty expression on her face where her eyes are lidded and dark, dark gray pantyhose and red patent Mary Jane shoes. She wore a pale blue dress over a white dress shirt, white pantyhose and black Mary Jane shoes.Īs a doll in the first bad ending, Aya is seen wearing a red floor-length dress with white, ruffled cuffs, gold hems, a pink bow fixed to the right side of her chest and the dress exposes her collarbones. In flashbacks, she had shoulder-length hair that is tied in two pigtails by two blue ribbons. In the game, she is seen wearing a white apron over a dark blue dress that has puffed sleeves, a gold pendant around her neck, white cuffs, white pantyhose and black Mary Jane shoes. Aya is a beautiful pale-skinned little girl with long black hair that has square bangs hanging over her forehead with a large pink ribbon tied in the back and light blue eyes. This is a pun with her name and what is shout in the game when a draw happens.Her catchphrase is Rock, Paper, Scissors! It's Aiko (ããããããã³ï¼ããåã§ãã, Jan-ken-pon! Aiko desho!). It was also announced her first solo single will be released on August 22. It was her first time performing as a solo musician. On JAiko participated in the live event of "Happy Ice Cream" playing 3 songs and 1 original "Taisetsu na Kimi e" on the grand piano. On MaAiko graduated from Sakura Gakuin along with Megumi Okada and Momoko Okazaki. The material was uploaded under names of famous teenage celebrities. Video-sharing website YouTube has removed hundreds of pornographic videos which were uploaded in what is believed to be a planned attack. On during "Sakura Gakuin ~Transfer Ceremony~" she was appointed the student council president. The BBC's Interactive reporter Siobhan Courtney talks about the investigation into the 'video attack'. In May 5 2013, "Sakura Gakuin ~Transfer Ceremony~" was held and therefore joining the group as the youngest member. When Aiko went to see Tokyo Top Kids Collection A/W 2012 on August 1 her mother went to the office of Amuse and received a newcomer scouting project for "TTKC Scout". On the second day of "KTS Day 2013" on September 22, 2013, she graduated from her activities as Amelie. This single was called "Ame Hare Chuchu" which was only released to those in Kagoshima. On with the name "Amelie and Tamari" a charity single was released for the reconstruction support of the aftermath of the earthquake and tsunami. On Septem"Genkin! Kagoshima" held an event called the "1st Kagoshima CM StarâProject" and she passed allowing her to play the role of Amelie the character in the American Home Direct Ad. Her skills are playing the piano and dancing while her dream is to be a singer-songwriter. She loves to watch movies and watch DVD's, her hobby is to also observe others and her favorite food is ice-cream. They also named her this because Aiko was born exactly one year after the birth of the Princess. 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